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December 2010
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February 2011

Normal Service Will Be Resumed Shortly. Meanwhile, Here's Ponyo On A Boat.

Yeah, yeah, yeah, I know. Three weeks into the new year, and there's been no activity since the usual first-of-the-month post. "Pressure of work" is a bit of a cliche to use in these circumstances, but it's true: I've barely had chance to draw breath over the past few weeks, and shouldn't really even be taking time out of my schedule to write this bit.

So, apologies for the lack of content here recently. There's definitely stuff in the pipeline, including the full story of our Christmas 2010 holiday (see if you can guess where we went this time), and the track listing for last year's Pick Of The Year CD. But you're used to those things appearing on here late, I guess.

To tide you over, with acknowledgements to the mad editing skillz of The Switcher, here's a video that cheered me up no end when I first saw it. If you fall inside the tiny Venn diagram overlap between fans of Hayao Miyazaki and fans of The Lonely Island, it may cheer you up too. Everyone else, on the other hand, will probably just be very very confused. Enjoy!


Simian Substitute Site for January 2011: Sock Monkey 2011 Calendar

Sock Monkey Calendar 2011 MONTH END PROCESSING FOR DECEMBER 2010

Books: Three books received in the Christmas stocking this year - haven't had time to sit down with any of them properly, so these are all first impressions gleaned from a quick skim. Len Deighton's Action Cook Book is the prequel to his French Cooking For Men that I mentioned a few months ago - an introductory guide to the theory and practice of preparing food, aimed at blokes who wanted to be just like that Harry Palmer off the pictures. Al Murray's Think Yourself British is a combination of bog book and self-help guide - you could probably work out most of the jokes yourself in advance from that description, but that doesn't stop them being funny. And John Waters' Role Models (his first book of essays for a while, and most welcome it is too) appears to be the trendy literary present for Xmas 2010: looking at Twitter on Christmas morning, it turned out that two of the people I follow (Robin Ince and FilmFan) had both received it too. 

Comedy: While we're on the subject of Robin Ince: for the last three years now, the comedian has been organising Nine Lessons And Carols For Godless People, a series of benefit shows for the Rationalist Association. Described as "a cross between the Royal Institution Lectures and the Royal Variety Show," they feature a unique mix of stand-up comedy, scientific lectures and music, all with the aim of providing a great Christmas night out for people who don't especially believe in Christmas. Highlight of this year's shows for me was the British Humanist Association Choir and their lovely performance of Tim Minchin's White Wine In The Sun, a song which seems to capture the emotional tone of Nine Lessons just perfectly. If you're curious, the current issue of New Humanist magazine has a cover-mounted DVD of highlights from the 2008 show, or you can buy an even longer version from Go Faster Stripe.

Music: New Year's Eve was spent in the delightful company of Wilko Johnson at the 100 Club, watching him smash down the boundaries between lead and rhythm guitar in much the same way as he's always done for the last 35 years. The 100 Club has been in the news recently, as it's one of a series of small London music venues that's been threatened with closure. Currently it's in some sort of Schrodinger's Cat state of being simultaneously Doomed and Not Doomed: the club manager insists a sponsorship deal is about to be announced, but seems very reluctant to make the details public. Meanwhile, one of the club's key promoters - Jim Driver of Rhythm At - has been told that even if the club does survive, there'll be no room for the older acts (like Wilko) that he regularly puts on there, and he's had to transfer operations to The Borderline. Hopefully they'll eventually reach a solution that keeps a decent amount of live music going in the capital.

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