Internet: There was an interesting piece in last Saturday's Guardian about comedy double acts that split up. It got me thinking about how these days, most of the double act comedy I encounter is via podcasts. It all started, I think, with Collings and Herrin - by coincidence, today marks the tenth anniversary of the release of its first episode. There was always a comic imbalance between the two performers: Andrew Collins was the more serious one who gave the show structure, while Richard Herring provided the jokes and attempted to drive the thing off the rails at every possible opportunity. It's a formula that's been replicated several times in the last decade, from Michael Legge and James Hingley's Precious Little Podcast (so heavily influenced by C&H as to be unofficially dubbed Bollings and Nerrin) to sort-of-football podcast Athletico Mince (where the dynamic is tweaked to balance relatively funny bloke Andy Dawson against comedy god Bob Mortimer). The latest funnyman/straightishman podcast to hit the feeds is Poddin' On The Ritz, a shameless bit of promotion for the new production of Young Frankenstein that's running in London. It features West End song 'n' dance guy Hadley Fraser (who plays Frankenstein in the show) and impro comedy genius Ross Noble (who plays Igor): the two of them swap anecdotes about their respective showbiz worlds, and pull apart the plots of other musicals to highly amusing effect. Noble leaves the show in the middle of February, but they appear to have been recording these podcasts a couple of months in advance, so there should be a few more still to come. This should be the point where I give you a quick review of Young Frankenstein itself, but Music comes before Theatre in alphabetical order so you'll have to wait a little.
Music: In possibly the most predictable news you can imagine, congratulations to Dave for being the winner of the 2017 Pick Of The Year CD competition, again. You'll remember the question went as follows: When David Bowie sacked the Spiders from Mars, he needed another backing band. So who did he turn to? Where did he go? The answer, as given in the lyrics of the song David Bowie Was A Funny Man, is as follows: he ran for The Shadows. And I'm going to use that as an excuse to show you my favourite film clip of The Shadows. Shot in 1966, it defines the future grammar of the music video more than anything the Beatles ever did. Watch out for a surprise appearance from Bob Monkhouse, who'll make you laugh just with his use of the word 'junior'.
Theatre: So, as I was saying, we went to see Young Frankenstein at the Garrick Theatre last month. The background to the show is interesting: as you probably remember, Mel Brooks had a huge theatrical success on both sides of the Atlantic earlier last decade with the musical adaptation of his film The Producers. Assuming he could pull off the same trick twice, he produced a musical version of Young Frankenstein on Broadway in 2007, and it flopped badly. A decade later, he's rewritten the show, cutting some songs and adding some new ones: the adjustments seem to have worked, and it's doing rather nicely on the West End. To be honest, there are a lot of similarities with The Producers, with both shows pivoting on a show-stopping number taken straight from the film. In the case of The Producers, it's Springtime For Hitler, co-written with Brooks' regular score composer John Morris (who died this week): here, it's Puttin' On The Ritz, which of course Brooks nicked from Irving Berlin. By comparison, his own songs are fairly functional things that don't really stand out by themselves (although having Together Again as the podcast theme has helped that one stick in the memory). But it's the show overall that counts, and the mix of corny gags, old-fashioned musical craft and Broadway pizazz comes together rather delightfully.
And now, a bit of advance warning. You'll remember that last month, I promised you that MostlyFilm would be getting some sort of big sendoff. You may have noticed that it hasn't happened yet. Well, it will this month, and there's a bit of news relating to that which I'll keep to myself for a few weeks. You'll be told when you need to know about it. In addition, one of the regular things I used to contribute to Europe's Best Website will be happening over here instead, so expect February to be rather heavy on movie action one way or another. As ever, the comments box below is open for whatever you feel like talking about, spam excluded. Go for it.