We've known since the beginning of April that this year's Festival wasn't going ahead. It's a particular shame, because after last year's nightmare session of accommodation booking, this year's worked out comparatively painlessly, and I was looking forward to reporting on the slightly non-standard approach we'd taken. Our deposits have been rolled over into 2021, so we'll see if arts festivals and shared accommodation are still both workable concepts by then.
But this year, we're staring at a Festival calendar with an enormous amount of free space on it. Or are we? As I've mentioned several times over the last five months, many artforms have hurriedly made the transition to the digital realm. Couldn't the greatest arts festival in the chuffing world do the same?
Well, it could, but in a ridiculously piecemeal fashion. Which is why I thought a preview post might be in order.