A version of this article was originally posted on this site on January 9th, 2018. Although I've been tweaking and updating the text at various points in this four-part series of reposts, I'm going to quote the opening of this final part exactly as it stood nearly three years ago.
When historians look back at the deeply troubled period between 2010 and 2019, I suspect they'll say that one of its major problems was that we never really agreed what to call it.
Look at the decades we've covered in the rest of this series. The Eighties? The Nineties? Spectacularly uncontroversial: everybody calls them that. Things got a bit more uncertain at the turn of the millennium, but there was eventually an unspoken agreement that the cheeky double entendre of the Noughties would have to do. But what about now? We're four-fifths of the way through this garbage fire of a decade, and still nobody can come up with a name for it, other than the basic facepalm gesture. So I'm proposing the Tenties as the logical choice, even though it sounds bloody daft. Roll on 2020, when at least we're back into a pre-existing naming convention.
Just to recap: the Tenties was a garbage fire, and it will be a relief when 2020 comes around. Ha ha ha ha ha ha ha.
Anyway, the fourth and final part of this feature is structured in the same way as the other three, and this time round it includes details for 2018 and 2019, which I couldn't do on the previous occasion because of the linear nature of time. Once again, I've taken the Pick Of The Year CD compilations I've been creating every year, and attempted to recreate them as Spotify playlists. You'd assume that as Spotify's been running since 2008, pretty much every record released this decade would be on there, but you'd be wrong. The gaps on these last few playlists tend to fall into three categories: limited web-only releases via sites like Bandcamp, music from foreign parts (though Japan seems to have embraced international releasing for its bigger artists), and acts who've simply decided that streaming isn't something they want to do.
As always, I've noted the omissions for each year (including a few that have dropped off Spotify since January 2018), and included links to the original discussions of the tracks. The more alert of you may have realised that the playlists for 2014-2016 have been around for a while, and were set up specifically for MostlyFilm's end-of-year roundups (though the embedded players are all buggered now, as they were updated some time ago). The others, though, have been set up specifically for this page. Happy streaming, or whatever it is that the kids would say.