We're now at the halfway mark in this project to recreate all of my Pick Of The Year compilation CDs and cassettes as Spotify playlists - see also 1982-1989 and 1990-1999. And if there's one thing this exercise has taught me so far, it's that anyone who says streaming will eventually completely replace the physical ownership of music deserves a good slap. As you've probably noticed in the previous two articles (as well as the one that's due to follow shortly), most of these playlists are missing at least one song, if not more.
It's particularly noticeable here in the early years of the 21st century, largely thanks to my discovery of J-Pop in 2001. With a lot of Japanese music, it seems like nobody cares about granting the rights to stream it internationally. Things began to loosen up a few years ago, it's true - Ringo Shiina eventually made all of her records globally available, and Kyary Pamyu Pamyu has released everything worldwide from the moment Pon Pon Pon went viral. But all too often, you end up with bizarre situations like the Vanilla Beans collection, VaniBest II, where the iTunes export version was been stripped back from 18 tracks to five, and the Spotify version restricted even further to two.
So there are a few Japanese songs on these compilations that I can't track down on Spotify. In addition to that, this was a decade when I picked up a lot of music in all sorts of contexts outside regular albums - downloads of mashups that were too copyright-infringing to go on regular sale, CDs only available at gigs, even one track given away with a book. None of those are available for streaming, as you can imagine. And most frustrating of all, it's impossible to predict when songs will be removed from Spotify, or indeed added to it. There's at least one track here that wasn't available when I first started assembling these playlists back in 2017, but subsequently showed up a month later because the album it came from had just got a tenth anniversary rerelease. (It's Glamur by Amiina, from 2007.) And that's happened a few times over in the three years since I last wrote about these playlists, either because of changes in rights ownership or because the rival streaming service set up by one particular artist died on its arse.
So, in short: these playlists may have gaps in them, but I'll try to warn you here what's missing, and link to my original track-by-track discussions of the compilations as well.